|
||||||||||||||||
|
||||||||||||||||
% responses 2008 ('96) |
||||||||||||||||
y4 |
y8 |
|||||||||||||||
Tune 1 – Example only: | ||||||||||||||||
Tune 2: | ||||||||||||||||
Singing in tune: | in tune throughout |
27 (19) |
23 (28) |
|||||||||||||
mostly in tune |
25 (32) |
24 (28) |
||||||||||||||
in tune about half the time |
14 (14) |
11 (6) |
||||||||||||||
mostly out of tune |
28 (28) |
37 (36) |
||||||||||||||
speaking |
3 (6) |
3 (2) |
||||||||||||||
Singing in rhythm: | in rhythm throughout |
77 (75) |
76 (76) |
|||||||||||||
mostly in rhythm |
15 (13) |
17 (22) |
||||||||||||||
mostly out of rhythm |
5 (11) |
5 (2) |
||||||||||||||
no attempt |
3 (1) |
2 (0) |
||||||||||||||
Tune 3: | ||||||||||||||||
Singing in tune: | in tune throughout |
24 (21) |
23 (24) |
|||||||||||||
mostly in tune |
23 (22) |
23 (21) |
||||||||||||||
in tune about half the time |
21 (26) |
13 (15) |
||||||||||||||
mostly out of tune |
26 (27) |
35 (38) |
||||||||||||||
speaking |
5 (3) |
4 (2) |
||||||||||||||
Singing in rhythm: | in rhythm throughout |
79 (76) |
76 (78) |
|||||||||||||
mostly in rhythm |
16 (20) |
18 (19) |
||||||||||||||
mostly out of rhythm |
4 (3) |
4 (3) |
||||||||||||||
no attempt |
1 (1) |
2 (0) |
||||||||||||||
Tune 4: | ||||||||||||||||
Singing in tune: | in tune throughout |
20 (16) |
21 (20) |
|||||||||||||
mostly in tune |
28 (28) |
26 (28) |
||||||||||||||
in tune about half the time |
23 (32) |
17 (10) |
||||||||||||||
mostly out of tune |
25 (22) |
31 (40) |
||||||||||||||
speaking |
3 (1) |
3 (2) |
||||||||||||||
Singing in rhythm: | in rhythm throughout |
77 (79) |
77 (71) |
|||||||||||||
mostly in rhythm |
16 (17) |
17 (27) |
||||||||||||||
mostly out of rhythm |
6 (3) |
4 (2) |
||||||||||||||
no attempt |
1 (1) |
2 (0) |
||||||||||||||
Tune 5: | ||||||||||||||||
Singing in tune: | in tune throughout |
10 (13) |
17 (20) |
|||||||||||||
mostly in tune |
27 (23) |
24 (25) |
||||||||||||||
in tune about half the time |
27 (29) |
21 (24) |
||||||||||||||
mostly out of tune |
33 (32) |
33 (31) |
||||||||||||||
speaking |
2 (2) |
3 (0) |
||||||||||||||
Singing in rhythm: | in rhythm throughout |
75 (75) |
74 (75) |
|||||||||||||
mostly in rhythm |
20 (23) |
20 (22) |
||||||||||||||
mostly out of rhythm |
4 (1) |
5 (3) |
||||||||||||||
no attempt |
1 (1) |
1 (0) |
||||||||||||||
Tune 6: | ||||||||||||||||
Singing in tune: | in tune throughout |
9 (8) |
12 (14) |
|||||||||||||
mostly in tune |
19 (15) |
19 (23) |
||||||||||||||
in tune about half the time |
27 (28) |
24 (14) |
||||||||||||||
mostly out of tune |
41 (44) |
38 (47) |
||||||||||||||
speaking |
3 (3) |
3 (2) |
||||||||||||||
Singing in rhythm: | in rhythm throughout |
65 (74) |
66 (59) |
|||||||||||||
mostly in rhythm |
27 (22) |
23 (31) |
||||||||||||||
mostly out of rhythm |
7 (2) |
7 (10) |
||||||||||||||
no attempt |
1 (2) |
4 (0) |
||||||||||||||
Tune 7: | ||||||||||||||||
Singing in tune: | in tune throughout |
4 (3) |
9 (6) |
|||||||||||||
mostly in tune |
18 (12) |
17 (18) |
||||||||||||||
in tune about half the time |
28 (34) |
20 (18) |
||||||||||||||
mostly out of tune |
46 (50) |
47 (56) |
||||||||||||||
speaking |
4 (0) |
3 (1) |
||||||||||||||
Singing in rhythm: | in rhythm throughout |
70 (65) |
66 (63) |
|||||||||||||
mostly in rhythm |
23 (27) |
22 (28) |
||||||||||||||
mostly out of rhythm |
7 (7) |
9 (8) |
||||||||||||||
no attempt |
0 (1) |
3 (1) |
||||||||||||||
Total
score: |
45–48 |
9 (8) |
12 (11) |
|||||||||||||
39–44 |
24 (18) |
21 (28) |
||||||||||||||
33–38 |
30 (40) |
24 (18) |
||||||||||||||
27–32 |
25 (22) |
28 (28) |
||||||||||||||
0–26 |
12 (12) |
15 (15) |
Subgroup Analysis [Click on charts to enlarge] : |
Commentary: |
This task examined trends from 1996 to 2008. Students generally were much more successful at maintaining rhythmic patterns than at singing in tune. On average, girls did a little better than boys, and year 4 Pasifika students did better than their Pakeha and Mäori counterparts. There was little change in performance from 1996 to 2008. |